Being and performance in virtual worlds.
A research project on the state of the theatrical event in an age of virtuality.
Six questions in search of answers.
1
What is a virtual world and what are its capacities?
2
What does it mean to perform in a virtual world?
3
What does it mean to “be there” in a performance in a virtual world?
4
What is the material status of being in performances in virtual worlds?
5
How are virtual practices changing the state of theatrical performance?
6
What is the ethical state of performance in virtuality?
PROJECT SECTION #1
YURIWAKA: a VR adaptation of a 16th century kowakamai dance text.
Translation into English of a 16th century text from the Japanese recitative dance form Kowakamai. The text will be adapted into a mixed media VR installation, which will have at its core, the problem of “being there”.
PROJECT SECTION #2
FIELD NOTES: reflections on VR and AR performance projects.
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Aenean commodo ligula eget dolor. Aenean massa. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus.
Discordance – Unwired Dance
VRASA – DACHHU
PROJECT SECTION #3
WORLD MAPPING: tracking performance worlds.
Part of this research project involves creating a database of performance worlds that exist or once existed.
PROJECT SECTION #4
PUBLICATIONS: outputs from the research
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Aenean commodo ligula eget dolor. Aenean massa. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus.
LATEST ARTICLES
-
“Soultopia” by Saeborg
I want to share a few thoughts on a VR performance I saw recently called: Soultopia. It was created by Saeborg, an artist whose performances often use latex suits and large latex inflatables in the form of farm animals. Saeborg’s work is both playful and hard hitting in its critique of the normative roles that…
-
0. Ground
One of the most well-known lines in Shakespeare’s plays is Bernardo’s question at the beginning of Hamlet: “Who’s there?” Who is that ‘who’ and where is that ‘there’? It is a doorway onto doubt. But it is also a question that cuts quickly to the ontological core of theatre. “Who’s there?” can be asked of…
Get in touch
I’d love to hear from anyone interested in this project. If you have a question, comment or recommendation, please let me know. I’m open to collaborations, networking and guest speaking.